Everybody has learned about the drawing procedures of impressionism, for outdoor sketch, thick pigment with a slight mix is often used to shape solid brushwork and texture for color coordinate effect. Since sketching of landscapes is done mainly once, the wet paint approach holds the supremacy. The color medium is seldom diluted, unless required. The drawing order should be carefully observed in the painting output or in the repeated works, usually the first to thin turpentine color to spread backdrop, and then use the thick color more. Dry brushwork can also be used to draw the cover color in painting with sweeping strokes, resulting in a perplexing beauty effect on the background color and the upper color type. The pigment should not be mixed too dead; to achieve the better contrast, different colors were naturally mixed in parallel through the visual. Thick paint processing methods primarily pay careful attention to the contrast in thickness. There must be ventilated position that does not blindly load pigment; otherwise the painting is very bulky and can cause problems with oil or cracking. The element that isn't perfect is often either put away or redrawn.

Impressionist painting stresses over the overall color rhythm conversion of the relation. Quite critical is the fluent style and loosen brush, which are very similar to freehand paintings. It would be rigidly formal to pay too much attention to specifics. Hence, Find Post, to get dizzy, body treatment should be bold and generalized. That sense is color and pen characteristics and beauty.

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